Beautiful Japanese women: where did this ideal image come from?
Using the example of Japanese women, we see how people”s ideas about beauty can be radically changed. A deeply traditional society, which developed for a long time in conditions of almost complete isolation, independently established rules and standards of beauty. At that time, beautiful Japanese women did not exist as a phenomenon. It took decades and even centuries for the appearance of these women to finally be appreciated.
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Let us note, by the way, that Asian appearance attracts more and more men. And we offer a parallel look at the most beautiful Chinese women (after all, they look like Japanese women).
The Japanese women”s path to their beauty
You have to try hard to find out what Japanese beauty was like even 100-200 years ago, and you will find that the beauty of the Japanese is not only the result of their culture, but also the result of the culture itself. All this is due to the fact that very little attention was paid to the cultural characteristics and worldview of people”s appearance. It is, of course, traditional to create the same look for all Japanese women.
The same procedure was carried out on each girl — they plucked their eyebrows, painted each one the same way, whitened their facial skin and blackened their teeth. For Europeans, this may seem like a real wild feeling. Every married woman was required to wear modest clothing in pale colors that did not emphasize her figure.
In general, all this resulted in the fact that visiting foreigners could not distinguish one woman from another. The individuality of a Japanese woman”s appearance has been destroyed since childhood.
Over time, the development of the Japanese state and its individual subjects led to the fact that in Edo, the largest city, men of all nations gathered and spent long hours in company away from their families. This happened for many political and economic reasons.
The ruling elite recognized the need for entertainment and relaxation for their high-ranking members. Rulers and nobles from across the country also brought with them personal armed escorts, which also consisted of several men. This resulted in a social system for which geisha were prepared. Who they were and what qualities geisha should adopt are discussed in the following article.
Shisha were specially trained girls whose duty it was to entertain and please princes and other people in every sense of the word, from sexual services to small talk. A massive construction of special institutions and agencies began where geisha could offer their services. These ranged from innocent bathhouses to official brothels.
The gichi of this period are considered the first recordings of beautiful Japanese women. Due to their “service” obligations, they had to appear attractive not only to local clients but also to visitors from other countries. They were allowed to maintain their individuality to avoid all the dreaded unpleasant procedures that awaited married women. Since most foreigners traveling to Japan were men, many stories arose about their admiration for Japanese geishas. It”s unclear whether this was an objective judgment or simply the happiness of sailors who spent over two months at sea after spending a night with a skilled and modest geisha. All sailors eagerly enjoyed the entertainment provided by the Japanese government.
This growing interest in young Japanese women was linked to the fact that at this time, European countries were beginning a period of mass emancipation. Western women cast off the shackles and constraints of patriarchy and attempted to live as equals with men. Japanese women, however, were very polite, gentle, submissive, and did not strive for sexual advances. This drove the distraught sailors crazy, while Russians were already there.
Russian Views of Eastern Beauty
Russians” view of oriental beauty
The writer said that he admired their unusual beauty in all respects, and then said that he considered European and Russian beauty boring and gray. Valmont especially praised Japanese dancers. According to him, he was a real expert in this art. There was nothing vulgar about them, only grace, expressiveness and great vulnerability.
Another Russian cultural figure who visited Japan was Boris Pilnik. In 1926, he came to this country and recorded many of the vivid events and images that befell him. He did not ignore young geishas, of whom there were already a lot at that time.
Even though each of them was somewhat different, they dressed and acted alike. Mandatory elements were long, wide painted belts and wooden sandals on the floor of the kimono.
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The change that occurred in women under the influence of a strong and heavy patriarchal culture deserves special attention in the opinions of Russian travelers. The girls changed their psychological conditions. Shyness, quietness and modesty were the only qualities that they could and wanted to demonstrate.
They also underwent a physiological metamorphosis, but they could not move quickly, because from childhood they were wrapped in leg bandages and remained “childish” even in adulthood. Of course, Boris Pilnik explained this with real enthusiasm, as if this was the way it should be.
The masses left Valmont”s review uncriticized, but Pilnyak, living in the Soviet state, fought. He published the book “Roots of the Sun”.
The book received significant criticism due to his praise and admiration of the oppression and control of women in Japan. He had to write another book criticizing his words.
The path to the image of a modern Japanese woman
The path to the image of a modern Japanese woman
Most advertising posters contained images of women. Even this European technology retained the Japanese tradition of turning women into service personnel.
Alcohol ads featured Japanese women pouring drinks into glasses. Watch or jewelry ads featured a Japanese woman handing the jewelry to the viewer. The only exception was advertisements for men who smoked—they were supplemented with images of sumo wrestlers.
First of all, European influence changed the appearance of Japanese women. They abandoned bleaching their skin and instead used blush, which was very popular with foreigners. Imitating Europeans and wanting to please them led to women painting their eyes with double eyelids, so their eyes wouldn”t look too Asian.
They were expected to smile broadly, in keeping with centuries-old traditions. However, showing teeth in Japan has always been considered a sign of disrespect and aggression toward others.
Over time, Western culture almost completely replaced traditional Japanese dress in Japanese women”s wardrobes. By the 1970s, it was already rare to see women in kimonos on the streets. However, such a rapid change didn”t occur from a psychological perspective.
Lush Japanese Women
Juicy Japanese girls
Modern Japanese women
Where can you find a large number of beauties?
Where can you meet a large number of beauties?
Not only do they look stunning, but they also exude charm, cheerfulness, happiness, and confidence in every appearance. Eastern pop culture is increasingly spreading throughout the world, and this is due not only to their excellent vocal abilities but also to their memorable and vibrant images.
Secondly, the main charm of Japan is its anime and cosplay fans, who dress up as manga and video games. These girls have perfect physiques, are beautiful, vibrant, wear unusual costumes, sometimes even revealing ones, pose for photographs, and walk the streets.
The most successful cosplayers and pop artists use plastic surgery. And, of course, reincarnating computer games and cartoon characters requires copious amounts of makeup.
Thirdly, there is a whole category of actors who star in specialized Japanese drama series. The stars of these long-running television shows can reach unprecedented heights. They are admired, worshiped, and idealized. Of course, to be cast in such shows, you need considerable talent, luck, and, of course, beautiful looks.
Absolutely every Japanese woman playing a role in a drama is the perfect embodiment of viewers” fantasies. There”s an actor for every taste and preference who can bring it to life on screen.
Fourth, it”s impossible not to mention such phenomena as the idol subculture. Idols are cultural figures—singers, actors, and contemporary objects—who are sometimes fanatically worshiped by the Japanese. These idols serve as role models and ideals for the people of Japan, embodying purity, innocence, angelic beauty, modesty, and cheerfulness.
These people imitate their image and their lives to the Japanese, and this is a very effective mechanism for their influence on the population. Japanese idols are so revered that they are willing to accept their language as a guide to behavior. If an idol leads a healthy lifestyle, exercises, and doesn”t drink alcohol, their fans will do the same.
The main criteria for idols are their appearance and ability to act sweet and innocent. They are considered (mostly by the Japanese themselves) to be the most beautiful Japanese women in the world.
All this leads to numerous stereotypes and strange situations around the world. Most people are familiar with Japan only through work dramas, J-Pop groups, idol singers, and models. And there”s a false impression that all Japanese people have sweet, innocent, and angelic appearances.
In fact, many travelers to the country often experience disappointment and self-reflection because model-like women don”t roam the streets. The average Japanese woman doesn”t look like those who have long seen the best and most beautiful representatives of this society.
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Beautiful, Japanese women, where did they come from, ideal
